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Sunday, November 18, 2018

Pietà


PIETÀ

On the photo of Jennelyn Olaires grieving over her husband, Michael Siaron, published in The New York Times (August 3, 2016)

He is the poor man unjustly executed by the state.
She is the desolate woman of inconsolable loss.
He dies sputtering in the darkness of a silent movie.
She weeps a ceaseless cataract of tears.
He weighs less than floating dust, inutile to tip the scales held fast against him.
She sorrows over his limp remains, bludgeoned by the fist of power.
He is snapped like a cracker in several places.
She receives his broken body like a beggar.
He is expendable, a worthless ceramic fragment.
She grieves, grief is all she owns.

When the prefect summons his charge, interrogates him, leans forward in his judgment seat, and affecting consternation, grandly delivers his verdict of death, he will afterwards wash his hands of bloodguilt, roundly curse drug users as human blight unworthy of life, revel in Adolph Hitler’s bloodlust, claim that the thousands who are summarily shot dead resisted arrest, and deny that he ever gave orders to instigate genocide.

Originally published in The Penmen Review (August 31, 2018)


Jennelyn Olaires grieving over her husband, Michael Siaron

Friday, November 2, 2018

You walk along shoulders…


You walk along shoulders…

You walk along shoulders of bamboo groves,
Starlight treads in your footsteps.

You go forward with shifting seasons,
Summer ghosts are left behind.

You rise as the wind of briefest memory
Pushing shutters gently open.

You arrive, fresh rain at the door ajar,
Softly rustling dry silk.

Your spirit rests in tranquility at table,
Folding itself into a napkin.

You dwell in silence in the deepest part,
Inside there is only silence.

You sleep illumined by the guardian moon,
Windless, the stilling doom.


The Sleeping Gypsy (1897) by Henri Rousseau

Thursday, October 11, 2018

Tres Figuras y Letras


TRES FIGURAS Y LETRAS

Comfort Woman, Roxas Boulevard, Manila

Naked, you were raped. Clothed,
You are memorialized.

Pyeonghwaui Sonyeosang, Japanese Embassy, Seoul

You sit, waiting for a nation to acknowledge
Their crimes against humanity.

Memorial to Comfort Women, St. Mary’s Square, San Francisco

Words outspoken ennoble you whom
Brutality and lust has shamed.

Originally published in vox poetica (September 5, 2018)


Pyeonghwaui Sonyeosang, Japanese Embassy, Seoul, South Korea

Saturday, October 6, 2018

Three Poems about Solitude – Analysis and Commentary


ODE ON SOLITUDE by Alexander Pope
 
Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.
 
Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.
 
Blest, who can unconcernedly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,
 
Sound sleep by night; study and ease,
Together mixed; sweet recreation;
And innocence, which most does please,
With meditation.
 
Thus let me live, unseen, unknown,
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.
 
—Alexander Pope, “Ode on Solitude,” Poetry Foundation

This remarkable poem by Alexander Pope has worn well with time. Its description of an idyllic, pastoral existence still speaks to the present day. Ostensibly, the longing for a peaceful, solitary life untroubled by want, away from society and close to nature, enlivened by study, has deep roots in the human spirit.

The last stanza is intriguing because it expresses the desire to die unknown and forgotten, a sentiment that goes against the grain of human yearning for immortality. The closing statement is possibly inspired by the speaker’s wish for the peace that converges with hiddenness.

 
THE SOLITUDE OF NIGHT by Li Po
Translated by Shigeyoshi Obata
 
It was at a wine party—
I lay in a drowse, knowing it not.
The blown flowers fell and filled my lap.
When I arose, still drunken,
The birds had all gone to their nests,
And there remained but few of my comrades.
I went along the river—alone in the moonlight.
 
 
—Li Bai, transl. by Shigeyoshi Obata, “The Solitude of Night,” Poetry Foundation

One of the charms of ancient poetry is its power to transport us to a distant time and place, offering us an experience of the unfamiliar and exotic that makes our visit well worthwhile. In this poem we are carried off to 8th century Tang China, our host a whimsical, tippling man of letters. The poem displays some of the hallmarks of the inimitable Li Po—vignettes about the pleasures of wine and the allures of nature, limned with a simple, direct gaze and an endearing eye for memorable details.

SOLITUDE by Lia Purpura

 
No one home.
Snow packing
the morning in.
Much white
nothing filling up.
A V of birds
pulling
the silence
until some dog
across the street
barks, and breaks
what I call my peace.
What a luxury
annoyance is.
It bites off
and keeps
just enough of
what I think
I want to be endless.

See: https://www.poetryfoundation.org/poems/58825/solitude-56d23d8a6bbce 

—Lia Purpura, “Solitude,” Poetry Foundation

In this selection of some of my favorite poems, I wanted to include at least one contemporary piece. This poem was published in 2015.

One virtue of Lia Purpura’s poem is incisive imagery—“much white nothing filling up,” “a V of birds pulling the silence.” Another is keen paradox—“what a luxury annoyance is.” The latent punch line is that annoyance is hardly luxury. It is a bane, a dog that bites off just enough of your peace to basically destroy it.

Lia Purpura has garnered multiple honors and awards:

https://www.poetryfoundation.org/poets/lia-purpura  

—“Lia Purpura,” Poetry Foundation



Solitude (2008) by Horacio Cardozo

Sunday, September 23, 2018

Sententiae


“Under a tyranny the law is misused as an instrument of injustice, persecution, repression, and oppression.”

“Correctly construed, the rule of law protects and upholds human rights and our God-given freedoms.”

“Genuine democracy, which subsists in the democratic values and principles internalized by the people, is subverted when criminal leaders controvert the laws embodying the people’s deepest aspirations for freedom from tyranny.”


Marcos declares martial law, September 23, 1972

Wednesday, September 5, 2018

Sententia

 
“The social sciences are like the straight edge of a ruler that guides the creative pencil of the humanities.”
 
 
Bust of Auguste Comte (c. 1840) by Antoine Étex