Followers

Tuesday, April 28, 2015

Planting Rice


PLANTING RICE
To Fernando Amorsolo

You capture the special quality
Of the light of our land—
Brilliant but blinding,
Vitalizing yet enervating,

Turning fields green
When the rains arrive,
Roasting grass brittle
When skies are dry.

Beneath broad sun hats,
Sheltered faces shine
As they labor cheerfully
In your pastoral idyll.

Truth be told, planting rice
Is like shoveling coal
In the boiler room,
Bowing constantly.

No matter, art is license
And vision is heritage
Of which we all partake:
We celebrate your genius.

Yellows, radiant pears,
Reds, multihued plums—
Your palette, a fruit bowl,
Vivid feast for hungry eyes.

Your virtuoso brushstrokes
Travel boldly all around,
Testifying to your mastery of oil,
Not to mention draftsmanship.

Your deep rich browns
Bind us to the soil.
Your radiant light
Keeps our sun blazing.

Originally published in Anak Sastra, Issue 17 (October 26, 2014), pages 82-83



Planting Rice (1949) by Fernando Amorsolo

Friday, April 17, 2015

The ocean is a desert…


The ocean is a desert…

The ocean is a desert:
No water to drink,
No trees to rest,
No animals to ride.

The gull that glides
Above the waves
Is the faraway condor
Surveying the sand;

They are in their element.
We find no home
In the sea any more than
We sleep in the clouds.

Originally published in Written River, Volume 2, Issue 5 (Winter 2014-15), page 37



The ocean is a desert...

Sunday, April 12, 2015

Elijah


ELIJAH

I am struck down by the warrior sun in the desert.
I am a string attempting to stand.
I cannot move my legs—
They are stones hammered into the earth.
I cannot lift my arms—
They are branches felled by a storm.
I am a house unable to move,
A hoary salt bed cooked entirely dry.
Depletion is my abrupt affliction.
I am a well filled at bottom with sand.
I long for a jug of sweet water,
For a bundle of fresh steaming bread
To bring life to my legs, hope to my heart—
Who will bring me wherewithal for my journey?

Originally published in Marathon, Issue 7 (February 2015)  




He prayed for death: “Enough, Lord! Take my life, for I am no better than my ancestors.”—1 Kings 19:4

Thursday, April 2, 2015

The world is...


The world is…

The world is a waterless white expanse.
Abandoned cities stand as termite mounds,
Hubs of gulley networks lined with salt.

Beetles make homes where no humans roam.
Scorpions tiptoeing track tiny dimples.
Lizards scurry about as if electrocuted.

The wind whistles through honeycomb ruins.
Tiny tornadoes raise their fists.
Hot dust puffs like gun smoke.

We walk among windswept dunes of ash.
We quarry for light and dig for springs.
We tap at stones and ask for mercy.
We water ourselves to water the world.

Originally published in Blue Heron Review, Issue 3 (Winter 2015)



Bolivia Salt Desert

Wednesday, April 1, 2015

The Desert


THE DESERT

It was the Lord, our God, who brought us and our ancestors up out of the land of Egypt, out of the house of slavery.—Joshua 24:17

You depart for the desert in darkness,
The way lit by the moon.
Rocks and scrub touched by chalk,
Brush lightly dusted white…
The planet is luminously radioactive.
Mountains cut out by scissors
Press black polygons against the sky.
Gradually, gloaming
Restores pink flush to the land,
Turning the moon into a faint watermark.

Noontime unsheathes his sword,
Slaying the day.
No animals peep in this slow broil,
Not a twitch of the ear,
Not a blink from a paralytic.
Traveling inside an oven, you wear a hat,
Swig ice water frozen the day before,
Keep delirium at bay like an anxious patient.
The wind lies in a coma.
Oxygen is too weak to rise.

Twilight is adding pigments to oil,
Deepening blue,
Doing arithmetic,
Red times orange.
Tiny denizens stir as if readying for school.
Dusk makes a promise:
He says the mountains hold deep wells and caves,
Cool as beds freshly made.
He speaks not to deceive but to encourage.
Waiting is a long walk to freedom, a motionless journey.

Originally published in Triggerfish Critical Review (December 26, 2014)



Sunrise, California Mojave Desert