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Thursday, October 11, 2018

Tres Figuras y Letras


TRES FIGURAS Y LETRAS

Comfort Woman, Roxas Boulevard, Manila

Naked, you were raped. Clothed,
You are memorialized.

Pyeonghwaui Sonyeosang, Japanese Embassy, Seoul

You sit, waiting for a nation to acknowledge
Their crimes against humanity.

Memorial to Comfort Women, St. Mary’s Square, San Francisco

Words outspoken ennoble you whom
Brutality and lust has shamed.

Originally published in vox poetica (September 5, 2018)



Pyeonghwaui Sonyeosang, Japanese Embassy, Seoul, South Korea

Saturday, October 6, 2018

Three Poems about Solitude – Analysis and Commentary


ODE ON SOLITUDE by Alexander Pope

Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.

Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.

Blest, who can unconcernedly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,

Sound sleep by night; study and ease,
Together mixed; sweet recreation;
And innocence, which most does please,
With meditation.

Thus let me live, unseen, unknown,
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.
 
—Alexander Pope, “Ode on Solitude,” Poetry Foundation

This remarkable poem by Alexander Pope has worn well with time. Its description of an idyllic, pastoral existence still speaks to the present day. Ostensibly, the longing for a peaceful, solitary life untroubled by want, away from society and close to nature, enlivened by study, has deep roots in the human spirit.

The last stanza is intriguing because it expresses the desire to die unknown and forgotten, a sentiment that goes against the grain of human yearning for immortality. The closing statement is possibly inspired by the speaker’s wish for the peace that converges with hiddenness.

THE SOLITUDE OF NIGHT by Li Po
Translated by Shigeyoshi Obata

It was at a wine party—
I lay in a drowse, knowing it not.
The blown flowers fell and filled my lap.
When I arose, still drunken,
The birds had all gone to their nests,
And there remained but few of my comrades.
I went along the river—alone in the moonlight.

 
—Li Bai, transl. by Shigeyoshi Obata, “The Solitude of Night,” Poetry Foundation

One of the charms of ancient poetry is its power to transport us to a distant time and place, offering us an experience of the unfamiliar and exotic that makes our visit well worthwhile. In this poem we are carried off to 8th century Tang China, our host a whimsical, tippling man of letters. The poem displays some of the hallmarks of the inimitable Li Po—vignettes about the pleasures of wine and the allures of nature, limned with a simple, direct gaze and an endearing eye for memorable details.

SOLITUDE by Lia Purpura

No one home.
Snow packing
the morning in.
Much white
nothing filling up.
A V of birds
pulling
the silence
until some dog
across the street
barks, and breaks
what I call my peace.
What a luxury
annoyance is.
It bites off
and keeps
just enough of
what I think
I want to be endless.

 
—Lia Purpura, “Solitude,” Poetry Foundation

In this selection of some of my favorite poems, I wanted to include at least one contemporary piece. This poem was published in 2015.

One virtue of Lia Purpura’s poem is incisive imagery—“much white nothing filling up,” “a V of birds pulling the silence.” Another is keen paradox—“what a luxury annoyance is.” The latent punch line is that annoyance is hardly luxury. It is a bane, a dog that bites off just enough of your peace to basically destroy it.

Lia Purpura has garnered multiple honors and awards:
 
—“Lia Purpura,” Poetry Foundation



Solitude (2008) by Horacio Cardozo