TEN GREATEST POETS
Anytime you set out to list the ten greatest
anything, you’re setting yourself up for a takedown. Because any ten greatest
list is bound to be controversial, and there will always be mountains enough to
dispute. Still, it’s worth undertaking the intellectual and aesthetic exercise
for the sheer stimulation of it.
In putting together this list, I had to first decide
on evaluative criteria. I settled on three:
1. Influence on world culture
2. Critical legacy
3. Female representation
The first criterion, influence on world culture,
seeks to elevate judgment beyond individual, idiosyncratic taste. We all have
our favorite poems, and if we considered them the greatest on this basis solely,
they would hardly qualify as the greatest.
This criterion necessarily leads us to bypass many
cultures of lesser influence, such as, for example, the rich cultures of the
indigenous North American tribes. We would inevitably emphasize Western culture
because of colonial and imperial history. By weight of sheer population numbers,
Chinese and Indian cultures would be considered very influential. Not
surprisingly, this criterion inevitably introduces selection bias.
The second criterion, critical legacy, is principally
located in academic sources, not exclusively Western. There is something to be
said for the value of academic evaluation—among others, it is intellectual, often
rigorous, and peer-reviewed.
This criterion also introduces selection bias. However,
bias does not by itself disqualify this criterion. After all, bias exists
everywhere. In coming to judgment, it is necessary to recognize bias for what
it is and how it applies in particular cases.
The third criterion has been introduced because
males dominate the world literature canon. A list of the ten greatest poets tends
to select males because society is historically patriarchal. In the interest of
balance, I thought it important to include at least some females. Still, results
end up favoring males, and there is only one female in the list.
In two instances, I sought to explain the basis for
my selection, male or female, when equivalent choices of different genders
presented themselves.
Minority representation, practically nonexistent in
the traditional canon, Western or otherwise, is an important criterion. It should
be included as a fourth criterion, but it isn’t.
Unfortunately, the world literature canon is
occupied by high culture representatives of hegemonic societies. If we include
minority poets in the list of the ten greatest, we would have to select them
from recent or contemporary poets who exist outside the canon.
In the end, only one twentieth-century poet—and he is
not a minority—made it to the list. For so short a list, the status quo, among
others, works against minority representation.
To address the issue of lack of minority representation in the world
literature canon, I have prepared another list, Numbers 11 to 20 Greatest
Poets, which will appear later.
My list of ten greatest poets is organized
chronologically, earliest to latest, approximately.
The ten greatest poets are—flourish, please:
1. David (c. 1,000 BCE)
2. Sappho (630-580 BCE)
3. Vyasa (c. 400 BCE)
4. Li Po (701-762)
5. Rumi or Jalal ad-Din Muhammad Rumi (1207-1273)
6. Dante Alighieri (c. 1265-1321)
7. William Shakespeare (1564-1616)
8. Matsuo Bashō (1644-1694)
9. Walt Whitman (1819-1892)
10. Pablo Neruda (1904-1973)
This next succession of blogs takes them up one by
one.
David, Sweet Singer of Israel:
https://poetryofgonzalinhodacosta.blogspot.com/2018/06/ten-greatest-poets-david.html
David, Sweet Singer of Israel:
https://poetryofgonzalinhodacosta.blogspot.com/2018/06/ten-greatest-poets-david.html
The Unexpected Answer (1933) by Rene Magritte |
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